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24/11/2025

Otl Aicher (1922–1991), a German graphic designer, was renowned for his systematic and minimalist design approach. In 1962, Aicher and his team, including Hans Roericht and Fritz Querengässer, redesigned the Lufthansa logo as part of a comprehensive corporate identity overhaul. The iconic crane emblem, originally created by Otto Firle in 1918, was refined into a sleek, modernist form, a stylized crane within a circle, symbolizing precision and flight. Rendered in Lufthansa’s signature blue and yellow, the logo embodied clarity and reliability. Aicher’s grid-based design system ensured consistency across all branding, cementing Lufthansa’s timeless global identity.

Otl Aicher’s sketches for the Lufthansa logo, developed with his team at the Ulm School of Design in the early 1960s, reveal an evolutionary process blending modernist simplicity with functional symbolism. Initial sketches show the transition from the original 1918 Otto Firle crane to a more abstract form, with some designs exploring a simple arrow to represent aviation’s future, as noted in design commentary. These sketches progressively refined the crane into a stylized silhouette, enclosed in a circle, emphasizing aerodynamics and clarity. Aicher’s process, documented in works like Lufthansa und Graphic Design, highlights his methodical approach, balancing tradition with innovation, though the arrow idea was ultimately set aside for the iconic crane.

24/11/2025

𝙈𝙖𝙣𝙞𝙛𝙚𝙨𝙩𝙞𝙣𝙜. 🤞🧿✨

18/11/2025

17/11/2025

Saul Bass (1920–1996), a pioneering American graphic designer, transformed corporate branding with his minimalist approach. In 1969, Bass redesigned the Bell System logo for AT&T, creating a sleek, iconic bell symbol that became a hallmark of modern design. His process began with analyzing the outdated 1939 logo, which was overly ornate and impractical for widespread use. Bass prioritized simplicity, ensuring the new logo was scalable across 135,000 vehicles, 22,000 buildings, 1,250,000 phone booths, and 170 million directories. He sketched extensively, refining the bell into a clean, geometric form that retained brand recognition while embracing modernity. His 27-minute pitch film to AT&T executives detailed this vision, blending cultural trends with practical branding solutions, including proposals for uniforms and phone books. Though not all ideas were implemented, the logo achieved 93% recognition, cementing Bass’s legacy in design innovation until its replacement in 1983.

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